To claim a book has life altering capabilities is not uncommon, though whether this is a substantial claim to make always comes into question. I have always been impressionable. The art that I come into contact with has a tendency to imprint itself upon my person, at least for a fleeting period of time. This goes back as far as carrying around a piece of ribbon in my pocket so I could pretend to be Violet Baudelaire at the age of 10. Even so, I do not throw around the term life changing lightly, or for that matter frequently. When discussing Viv Albertine's autobiography this is a phrase that reemerged from each person I spoke to, as a significant commonality.
For those of you who don't know, Albertine is perhaps most noted as guitarist of the 70s all-female punk band The Slits. Her recent autobiography, Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. stitches together a painting of a life that stretches much further than this. Yes, it is emblazoned with a frank depiction of the UK punk scene - with personal accounts of Sid Vicious and Mick Jones, both of whom Albertine was acquainted with. Beyond this, however, lie engaging reflections of a daughter, mother and wife. The book is underpinned with the passions of a musician, yet stands alone as an often painfully honest piece of writing. Viv takes leaps over a simple portrait of the music industry by considering the position of women and the choices they are faced with in a way that is continually relatable.
The whole of Clothes reads at great ease. Albertine's distinct voice, which is both humorous and grounded, resounds throughout. All in all the book is likeable. It is a pleasure at each turning and remains without pretence. For me, it was not so much life changing as life affirming. The doubts and falters that line a life as full as hers are still entirely recognisable. To have the same level of consciousness echoed in the words of a woman who has stood as such an inspiration, above all was reassuring. That those same uncertainties break through as clear as day, signposting each point alongside a voice that remains unapologetically defiant, is refreshing. What Albertine offers is a full and uninhibited portrayal of the self, providing a guiding light of reference for women both young and old. Almost as an accidental role model, it is through her honesty that Albertine reveals truths about being a woman that have perhaps been refined to the corners of our psyché. Her words resonate as the shared difficulties that permeate everyday life. It may not make claims for every woman's experiences, yet it does not attempt to hide its own and thus acts as an example of the kind of openness that can only be helpful for such a mystified gender. Here is not just a reflection of one woman's story, but a necessary invitation into at least one reality of womanhood.
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